Skip to main content

Chocolate Babies

Some films clearly do not age well. This film from 1996 is a colorful but extremely messy satire about a bunch of HIV-positive Asian and black drag queens who decide to take matters in hand and fight the government’s apathy toward AIDS in New York City. It was probably too ambitious in its intent at that time, but is flawed execution makes it a very boring watch.

Welcome to the front lines of AIDS activism, where the latest enemy raids are being run by a band of unlikely warriors: two drag queens, an HIV-positive man with tiny gemstones dotting his bald head, and his HIV-positive sister. With their status as “queer outcasts,” these protagonists form a terrorist gang dedicated to the agenda of attacking conservative and homophobic politicians. They stage a series of surprise attacks against conservative politicians whom they believe are collecting secret lists of HIV-positive individuals. The band’s multiracial alliance is threatened when Asian-American Sam, its youngest member is discreetly seduced by the closeted councilman, on whom the very first attack by the gang was made. As a result, excessive emotions and conflicts surface, since Sam is actually infatuated by one of the group members, the bald Max, a cynically bitter man who’s dying of AIDS. Caught up in their extreme methods of activism and self-destructive drug and alcohol binges, the group becomes torn by infighting and begins to lose sight of their mission and loyalty to each other.

There are few movies about black queer men dealing with subject of AIDS, most of them are serious and about white male; so in that sense it’s refreshing to see a political satire that not only revolves around men of color, but also refuses to label them as victims. However, aiming to be at once a riotous comedy and a sensitive, compassionate melodrama, pic oscillates between wild humor and serious emotions, with jarringly awkward changes in tone from one scene to another, making it for a tedious viewing. With a mix of exuberant style, will humor, funny drag queens, staged attacks etc, the film struggles to find the right rhythm to deliver its message. Film plays with issues of identity: who we are and who we pretend to be. Its characters get so absorbed in their roles -- drag queen, undercover activist, closeted councilman -- that they lose sight of their more basic identities: brother, friend, lover. I am sure I am missing something here and maybe the subject did get the glory back in the day, but even as a colored gay man myself, it was really hard for me to connect with the film and appreciate it for what its trying to be. I felt it was all over a place, wanting to make a point, but sadly failed to do so. (3.5/10)

Comments

Popular posts from this blog

The Shortest Distance is Round 3: Fallen Flowers

Continuing with the weird trilogy of "The Shortest Distance", I am so glad that finally I am done with part 3 and won't have to deal with this again in future. Thankfully, as of now the makers have not announced any further parts; which will save all of us on this earth from the embarrassment of watching this in near future. After the first 10 minutes are used in sort of recapping bits of first two parts, the story moves forward. Haruto is now starting to have feelings for Ruka, the mysterious pole dancer from second part. In a fit of rage, Ruka ends up killing the goat man and to save him and Haruto, Shibahara asks them to go underground. Meanwhile Shibahara continues the search for Seiya (the guy who had cut off Haruto's penis). It turns out Seiya is now also taking care of the original club owner from part 1. Both of them were released after they had informed Shibahara of Aoyama's secret location. Shibahara tortures Seiya's boyfriend leading to Seiya killin

One Summer Night (Korean)

I really wanted to like this film but for non native speakers, these movie leaves a lot to be understood and the way scenes were unfolding in front of me, I wasn't sure many times what was really going on. The story had potential button getting any back story on any of the characters limited my ability to empathize with any of these actors. Film starts with two North Korea military guys Yong Joon and Jae Sung having sex and they are caught red handed and they run. Three years later we see Yong Joon in Seoul leading a very mundane and poor life. He has a boyfriend Tae-Kyu, who is a weird guy. He is carefree, doesn't do any work and is completely emotional and financially dependent on Young Joon. In fact, even Yong Joon will go to any lengths to protect him , fend for him and taking care of him to the extent of even taking up prostitution. Suddenly one day Jae Sung appears in their life again. His motivation is not clear but it is obvious he wants Yong Joon back in his life, who

Ultimate masturbation: Shigoki no yama (Japanese) [The Ultimate Masturbation]

I would never know what was the point behind making this film. Was it supposed to be a comedy, cos it wasn't. It wasn't even porn. It was just a silly attempt at making something absolutely senseless and ridiculous. The story, as well as direction is equally shoddy. You could laugh for having seen something so bad, but I wouldn't call that comedy. An old man runs a camp about gay masturbation. The explanation given is that gays masturbate for pleasure unlike straight men, for whom the act is seen as shame or because they can't find a woman. One day a straight man shows up and wants to join the camp for his thesis. After discussion, he is allowed in. Rules include that you can masturbate together, you can masturbate one another, but there is no fellatio or anal sex. Some students of course breaks rule. The teacher then talks about 2 forms of masturbation which gives ultimate pleasure. He shows one without touching and then refuses to talk of the other. Somehow suddenly,