Gay Days is a documentary that dives into how the LGBTQ+ community really started to find its voice in Israel. Back in 1985, there were literally only three gay men who were officially out in the whole country, but by 1998, that number had jumped to 3,000. It’s a look at this super short, intense, and dramatic window of time where Israel went through one of the fastest and most vibrant social revolutions at the end of the 20th century. What’s wild is that this whole shift happened without any blood being spilled; instead, it was this rare team-up between professors, sex workers, trans people, singers, barbers, and even military officers. The director, Yair Qedar, was right there filming it all for his own newspaper called The Pink Times . He uses some really cool old footage, personal stories, and his own private diary to piece together this energetic and bittersweet musical mix of a movie. The film follows Qedar’s own path as a kid from middle Israel who moved to Tel Aviv in...
I love fucked up family dramas. They give an insight into human emotions and what they are capable of. Its also goos to see that not all families are happy-go-lucky. They all have some real issues that they have to deal with.
Beatrice and her son Elliot arrive somewhere in France to pack their bags and empty their summer house, because it is sold now. A decision that was taken by Elliot’s father, Philip (who doesn’t show up until later). We also have Clement, a young boy form Paris, visiting his aunt in the same town because of a family turmoil. Elliot falls for Clement in their first meeting, which he knows but Clement is very indifferent to it. He agrees to their invitation to help them pack giving Elliot an opportunity for them to hang out. Clement is friendly and proves to be a sympathetic ear to Beatrice, which makes Elliot jealous. He thinks she is now his rival and wants Clement. Elliot knows what he wants and he is vocal about his feeling to Clement who just ignores it. Clement takes time for his buried feelings to come out, which we don’t know since he submits to a lustful kiss by Beatrice and also to a handjob by Elliot. The father son arrives to sign papers and seemingly there are more secrets in family, which we are not told besides that their marriage is crumbling. The marriage finally crumbles and life for Elliot will not be same again in England. As a budding poet, his new life will be a departure that proves both literal and satisfyingly figurative.
The film is slow, so as an audience you need good patience to watch this The film draws heavily on emotions and the surroundings to create the longing of aloofness. It shows considerable promise when it comes to show the sensitivity of emotions and aesthetics but the same becomes tiring after a while. I men for how long can we watch the characters stare into open space? The characters sketch is interesting. I like it that we know enough about the characters but not everything, which leaves room for individual interpretation. Yes it wasn’t very clear whether Clement was into Elliot or not but thats not important, is it! Clement is aware of Elliot’s liking for him and he plays along. He himself comes from a disturbed background and takes the opportunity of human touch in his stride. Whats wrong with that? I love the scene when both mother and son ask each other why they didn’t tell me about Clement.
The film is a good story but it could easily have been cut short by 30 minutes. I don’t think it will appeal to most people but do give it a try. (5.5/10)
Beatrice and her son Elliot arrive somewhere in France to pack their bags and empty their summer house, because it is sold now. A decision that was taken by Elliot’s father, Philip (who doesn’t show up until later). We also have Clement, a young boy form Paris, visiting his aunt in the same town because of a family turmoil. Elliot falls for Clement in their first meeting, which he knows but Clement is very indifferent to it. He agrees to their invitation to help them pack giving Elliot an opportunity for them to hang out. Clement is friendly and proves to be a sympathetic ear to Beatrice, which makes Elliot jealous. He thinks she is now his rival and wants Clement. Elliot knows what he wants and he is vocal about his feeling to Clement who just ignores it. Clement takes time for his buried feelings to come out, which we don’t know since he submits to a lustful kiss by Beatrice and also to a handjob by Elliot. The father son arrives to sign papers and seemingly there are more secrets in family, which we are not told besides that their marriage is crumbling. The marriage finally crumbles and life for Elliot will not be same again in England. As a budding poet, his new life will be a departure that proves both literal and satisfyingly figurative.
The film is slow, so as an audience you need good patience to watch this The film draws heavily on emotions and the surroundings to create the longing of aloofness. It shows considerable promise when it comes to show the sensitivity of emotions and aesthetics but the same becomes tiring after a while. I men for how long can we watch the characters stare into open space? The characters sketch is interesting. I like it that we know enough about the characters but not everything, which leaves room for individual interpretation. Yes it wasn’t very clear whether Clement was into Elliot or not but thats not important, is it! Clement is aware of Elliot’s liking for him and he plays along. He himself comes from a disturbed background and takes the opportunity of human touch in his stride. Whats wrong with that? I love the scene when both mother and son ask each other why they didn’t tell me about Clement.
The film is a good story but it could easily have been cut short by 30 minutes. I don’t think it will appeal to most people but do give it a try. (5.5/10)

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