This documentary is basically a love letter to a super specific and mostly forgotten slice of queer history—the world of all-male magazines between 1955 and 1973. It’s a really interesting guide that shows how these images changed over the years, eventually moving from still photos into the world of film. Before 1966, these gay magazines were all about musclemen in jockstraps posing like Greek Gods. But then, everything flipped. In this "golden window" from 1966 to 1973, the pages started featuring young guys between 18 and 22 who had boyish faces and totally normal bodies. They weren't gym rats; they were just ordinary kids, often drifters or runaways, who modeled for unknown photographers for just a few bucks. They’d show up in a magazine for a minute and then just disappear. After 1973, the "hardcore revolution" happened, and these softcore magazines became old news almost overnight. Just like that, the whole era was gone. The movie mixes together old photos,...
Gay cops who stare at each other in a very sexy way is my new favorite genre. This was an entertainingly good detective movie with a gay undercurrent, neither of which are truly fleshed out but the potential was there. When the film started with a guy in cop uniform, I was like "this dude is so f***ing hot" and even when the film ended , I do stand by my thought. An interesting murder mystery of a wealthy gay man and how cops have to navigate through gay scene to find the culprit make the gist of this film. Ambiguity pervades the film in both a sexual sense, in the relationships between the main male actors and the plotline of the aftermath of the murder; and this might be a deterring factor for. Lot of movie watchers. The film starts with a rich gay man's murder, who belongs to a very influential family. We see a handsome policeman Ganso waiting at the crime scene for detectives to show up. Enter Chavez, a handsome middle aged detective with a wife and kid who is asked b...