Ms. Treut, a chirpy, sympathetic presence whose curiosity is always balanced by tact, introduces us to a few residents. Texas Tomboy, is biologically a woman, a former Penthouse model who sees herself as Tomboy's surrogate mother. But Tomboy sports blond stubble on her chin and prefers to be called he. A blue-eyed, crew-cut, six-foot photographer named Stafford, on the other hand, doesn't care what pronoun people use so long as they use it respectfully. And Hida Viloria, a voluble hermaphrodite with exquisite cheekbones, can pass effortlessly from ravishing femininity to sullen machismo. Having lived credibly as a woman and as a man, Hida, like Stafford, now seems happiest occupying 'the middle ground'' between them. We also meet Max Valerio, a female-to-male transsexual, and Annie Sprinkle, who calls herself 'a sex artist'. All these times, Ms Treut, talk to the audience in a very odd manner telling us her views in sleep inducing moments.
To be honest, I was disappointed by the documentary. Maybe it did make a lot of sense 19 years ago, but in today's time, it feels shallow. Although the purpose of the documentary was clear, choice of content was not always effectively used. Transitions between scenes were at times abrupt and not very logical. Interviews with a minimal amount of activity in the background were easier to follow whereas busy scenes with a lot of sounds took the focus away from the interviewee. It also would have been nice to see non-transgender point of view as well.
Overall, the documentary was more informal, informational but not professional or something that could hold your attention. (4/10)
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