Gay Days is a documentary that dives into how the LGBTQ+ community really started to find its voice in Israel. Back in 1985, there were literally only three gay men who were officially out in the whole country, but by 1998, that number had jumped to 3,000. It’s a look at this super short, intense, and dramatic window of time where Israel went through one of the fastest and most vibrant social revolutions at the end of the 20th century. What’s wild is that this whole shift happened without any blood being spilled; instead, it was this rare team-up between professors, sex workers, trans people, singers, barbers, and even military officers. The director, Yair Qedar, was right there filming it all for his own newspaper called The Pink Times . He uses some really cool old footage, personal stories, and his own private diary to piece together this energetic and bittersweet musical mix of a movie. The film follows Qedar’s own path as a kid from middle Israel who moved to Tel Aviv in...
A standard gay comedy, Almost Normal would be rather forgettable, if it wasn't also a social satire, designed to illustrate what it's like to be gay in a straight world. As satire, it succeeds to an extent, and in some ways as brilliantly as one could hope to expect although in spots, the plot is too confusing to produce the intended impact. Brad is a good looking 40 year old single gay man. At his parents 45th wedding anniversary, he meets his best friend from school who stopped talking to him when he came out to him. His mother still dreams of finding a nice girl for him. This is when he remarks to his best friend Julie who also happens to be his sister in law that he sometimes wishes he was "normal". Not that he dislikes being gay, but he is weary of being different from the heterosexuals that surrounded him. Drunk, he leaves the party and gets into an accident and slips into a dream where he is transported back to 70s, his early college days. He gets his wish of being 'normal' because everyone in this world is gay and straights are looked down upon. A myriad of plot problems are resolved with witty or sometimes silly explanations. In his dream, Brad's parents have same-sex partners, but his father and mother begat him through a custom known as "birth partners". And then film takes a turn when Julie enters and suddenly Brad starts feelings for her. He is now turning straight which is again not 'normal' in this dreamy world. Of course, the dream ends and everyone is back to reality. The film ends when he suddenly he meets this guy (father of one of his students) who happens to be the same guy who Brad had a huge crush on when he was in college and we see that in this elaborate dream sequence.
The climax was the highlight of the film. Acting of the principal characters was also good. The whole role reversal thing was interesting but when they introduced Brad turning straight, it made it confusing for me. Was it about an individual's choice of sexuality or rebel. All was going well because Brad wanted a normal life and he gets that in the dream. Or maybe it was just to show the support of the minority group. In either case it confused me as a viewer. But yes, the film was still not boring. It kept my attention barring a few places here and there.
An interesting concept but now who is the target audience for this film? (5/10)
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