I think the idea behind this movie was really interesting and different. It tells the story of a brutal attack on a gay man in Chile, which is a very serious subject, similar to the Matthew Shepard case in the US. However, it feels like the people who made the film weren't quite sure how to tell the story. The movie wanders around a lot, and many scenes are confusing because it's hard to tell what point the director is trying to make. The first part of the movie was actually quite good and I was excited to see where it went, but then it completely changes. It spends way too much time showing the dad being sad and frustrated, and the most annoying part is that the movie doesn't really have an ending or any answers. The story is about a teenager named Pablo who is around 17 or 18. He lives with his dad, Juan, who is a single father and always busy with work. Pablo loves to dance, hangs out with his best friend who is a lesbian, and is practicing for a drag show audition. When...
I think the director of this film has a knack for creating sexual tensions in his film. "Plan B" and "Absent" are bob exemplary examples in that area and now we can safely add the name of this film as well in the list. Not only does he create a good tension n the film, and the film moves slow but it still does manage to hold your attention quite a bit. I have a feeling that like his previous films, many may not like this slow style of narration but I again enjoyed quite a bit. The bearded and bespectacled Eugenio, a scruffily handsome thirty-something from Argentina's well-off middle class, has moved into the house of his uncle so he can look after it for the summer and at the same time work on his novel in peace. When the younger Martin comes knocking on his door to ask him for some summer yard work, the duo realize they used to play together in childhood in the same neighborhood and Martin's hired straight away to do odd jobs around the house. What Ma...