I honestly think this might be the first time I’ve actually enjoyed a proper horror BL. I’ve checked out a few others in the past, but they usually felt a bit unpolished or amateurish—I can’t even remember their names, to be honest. This one is definitely a slow-burn rather than a fast-paced romance, tucked away inside a world of supernatural mysteries and fantastic secrets. You can tell the production is high-quality and well-researched; it feels like the creators really pushed themselves to give the audience something fresh. If you’re into BLs mixed with suspense and ghost stories, this is right up your alley. Just a heads-up: it’s a massive time investment. There are 12 episodes, each over 75 minutes, and the finale is basically a two-hour movie. The story follows Khem, a young guy in his twenties whose life is getting harder by the second because of a heavy family curse that lets him see ghosts. There’s this terrifying rule in his family where the boys don’t live past age 20, so hi...
Alan killed himself at age twenty-five to keep from getting old and losing his looks. A last letter, several friends, and a handful of videos point to a contradictory, volatile Alan Lambert, who was very likely manic-depressive. There are no tearful talking heads, no shocking re-enactments, no lengthy excerpts of the suicide letter, and most pointedly, not a single glimpse of full frontal nudity. Alan Lambert's political convictions lead him to criticize the circulation of commodities and the alienation it produces, and yet paradoxically, he sold himself, becoming a commodity in the most direct way. Finished suggests that what Alan brought to an intolerable level of contradiction, many of us experience in our everyday lives.
The director graciously exposes his own motives for making the film. The extended camera shots gives this film both interesting backdrops and a mediative quality. "Finished" explores issues like creative exploitation and how pornography is more a product of raw supply-and-demand rather than artistic impulse. Though this documentary leaves you with no answers, it makes you think about the people behind the camera and how models in the sex industry (or models in general) can be tormented, angry, and helpless: all the things they are not supposed to be when appearing in their films. The film asks for a lot of patience and if you already for that, go for it. (4/10)
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