Here we go again with another vertical BL series that pretty much raids the entire toolbox of tropes we've grown used to. Even though it hits every cliché on the list, I have to say it actually wasn't bad. It was a relief to see fewer toxic side characters than usual, and for some reason, the chemistry between the two leads really clicked for me. Outside of that, the show has the whole works: scary debt collectors looking for their cash, a guy in total distress, a hero swooping in to save the day, a sick family member, and a dangerous ex-girlfriend who’s out for blood. The story follows Keith, a struggling single dad who’s been dealing with a daughter in the hospital for two straight years—which is a crazy long time when you think about the bills piling up. He’s drowning in debt and has ruthless collectors breathing down his neck while he scrapes by with odd jobs. Then there’s Gavin, a pro boxer. Their lives crash together when Gavin jumps into a fight to save Keith. Realizing ...
In a time, when Islam is under tremendous attack-from within and without-'A Jihadfor Love' is a daring documentary-filmed in twelve countries and nine languages. Muslim gay filmmaker Parvez Sharma has gone where the silence is strongest, filming with great risk in nations where government permission to make this film was not an option. A Jihad for Love is the first-ever feature-length documentary to explore the complex global intersections of Islam and homosexuality.
Th film follows through the lives of few gay Muslim men and the trials and tribulations that they have ha to face in life because of being gay. They are from various Muslim countries and various society levels. Jihad for Love doesn't seek to vilify or reject Islam, but rather negotiate a new relationship to it. In doing so, the film's extraordinary characters point the way for all Muslims to move beyond the hostile, war-torn present, toward a more hopeful future. The individuals we meet only too briefly in the film are remarkable not just for their courage but in also the honesty with which they approach the camera. The thematic elements of weaving in celebration and despair are remarkable and the filmmaker successfully engages with a wide canvas of possible audience emotions.
Its definitely a film that is an eye-opener. (6/10)
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