This Hindi movie is a pretty straightforward slice-of-life story that tries to give a modern look at what it's like to be a single, professional gay man. It dives into how he understands who he is, the chances he missed out on, and the personal choices he’s made along the way. The director used three parallel timelines to tell the story, which honestly didn't make much sense to me. While the core idea was actually pretty interesting, I really feel like this would have worked way better as a short film considering the point it was trying to make. Still, it wasn't a bad watch. The plot centers on Rachit, a city professional, and his friend Shikhar as they hang out for an evening. Rachit is a polished, urban guy, while Shikhar has more of a "small-town" rustic vibe, and you can really see the contrast between them when they talk. As the night goes on, Rachit starts thinking back to some old memories from a long time ago. He remembers being an intern after college in ...
I have quite mixed feelings about this one. Set in a ranch somewhere in the American southwest where a gaggle of LGBTQ+ folks ride and train horses, ride bulls and put on drag shows, the film has no significant story to say, but is about the lead who eventually becomes comfortable in his skin and proud of who he is and rises to a sexual awakening that he was not aware of.
21 year old carries responsibilities far beyond his years. His mother spends her nights drinking and bringing men home, leaving the care of Cassidy, his much younger brother, to Dylan. Dylan works as a day laborer, cooks meals for his brother and has conversations with him about things. He is tender and patient with his brother. He yearns for freedom but is too young to figure out how. On a 2 week gig, he goes to a ranch called House of Splendor. The ranch is filled with queer folks, gay, lesbian, trans. People work there but are also extremely happy. Dylan gets an instant-crush on one of the horse-riding trans woman named Sky, who clearly feels his interest in her and encourages it. She’s welcoming. Everyone is. Dylan has never been exposed to anything like this, not just different sexualities, but people who are kind and respectful to each other. Besides Sky, another important person we meet is Carrie, a warm friend and guide to Dylan who even invites his younger brother on a field fair day. Dylan's closeness with Sky doesn't go too well with her boyfriend and Dylan’s mom doesn’t take it well when he brings Cassidy home in a dress one night. The drama never goes over the top but eventually Dylan decides he needs to do what he has always wanted to do. Buy an RV and travel the country on his own.
First things first, the film is visually stunning and has a poetic overall feel to it, which is also a deterrent IMO. The actor playing Dylan does a fantastic job. There is heart and compassion and a bit of nervousness that the character demands. He and Sky have this amazing chemistry that you find yourself rooting for them from the minute we get going. It’s clear in the narrative how both of them are kind of finding different parts of themselves in this relationship, and both characters are so vividly drawn and so beautifully performed. There is an attention to detail in the specific nature of this community depicted in the film add so much to what’s going on here. I also loved the detailed about Dylan and his brother's relationship. Having said all this, there was a slight boredom also about the film. The attention span of audience has become so low and moody and poetic films like this need a person to be in a different mind space. Had I known what I was getting into to watch, my overall thoughts might have been different. Folks will have some divided overall feeling for this one, but you would not be able to deny that the film is filled with quiet moments of beauty, tenderness and heartache and most importantly hope and positivity. (6/10)

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