This Hindi movie is a pretty straightforward slice-of-life story that tries to give a modern look at what it's like to be a single, professional gay man. It dives into how he understands who he is, the chances he missed out on, and the personal choices he’s made along the way. The director used three parallel timelines to tell the story, which honestly didn't make much sense to me. While the core idea was actually pretty interesting, I really feel like this would have worked way better as a short film considering the point it was trying to make. Still, it wasn't a bad watch. The plot centers on Rachit, a city professional, and his friend Shikhar as they hang out for an evening. Rachit is a polished, urban guy, while Shikhar has more of a "small-town" rustic vibe, and you can really see the contrast between them when they talk. As the night goes on, Rachit starts thinking back to some old memories from a long time ago. He remembers being an intern after college in ...
Alan killed himself at age twenty-five to keep from getting old and losing his looks. A last letter, several friends, and a handful of videos point to a contradictory, volatile Alan Lambert, who was very likely manic-depressive. There are no tearful talking heads, no shocking re-enactments, no lengthy excerpts of the suicide letter, and most pointedly, not a single glimpse of full frontal nudity. Alan Lambert's political convictions lead him to criticize the circulation of commodities and the alienation it produces, and yet paradoxically, he sold himself, becoming a commodity in the most direct way. Finished suggests that what Alan brought to an intolerable level of contradiction, many of us experience in our everyday lives.
The director graciously exposes his own motives for making the film. The extended camera shots gives this film both interesting backdrops and a mediative quality. "Finished" explores issues like creative exploitation and how pornography is more a product of raw supply-and-demand rather than artistic impulse. Though this documentary leaves you with no answers, it makes you think about the people behind the camera and how models in the sex industry (or models in general) can be tormented, angry, and helpless: all the things they are not supposed to be when appearing in their films. The film asks for a lot of patience and if you already for that, go for it. (4/10)
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