This Hindi movie is a pretty straightforward slice-of-life story that tries to give a modern look at what it's like to be a single, professional gay man. It dives into how he understands who he is, the chances he missed out on, and the personal choices he’s made along the way. The director used three parallel timelines to tell the story, which honestly didn't make much sense to me. While the core idea was actually pretty interesting, I really feel like this would have worked way better as a short film considering the point it was trying to make. Still, it wasn't a bad watch. The plot centers on Rachit, a city professional, and his friend Shikhar as they hang out for an evening. Rachit is a polished, urban guy, while Shikhar has more of a "small-town" rustic vibe, and you can really see the contrast between them when they talk. As the night goes on, Rachit starts thinking back to some old memories from a long time ago. He remembers being an intern after college in ...
By the law of averages, since the recent BL series' that I have seen were mostly all good ones, Sooner's or later I had to chance upon a bad one. Sakristan was so far one Filipino series that was underwhelming and poorly made. Joining that list is this series, which is so badly acted and directed. At 7 episodes, about 30 minutes each, I personally felt really tortured sitting through it. I wonder, if people who have understanding of local significance of the political aspect of bits of it, will find it more simulating that I did.
Two straight boys Benjo and Emil have been assigned to be thesis partners by their professor. Emil, being not financially capable to do online research reluctantly agreed to stay in Benjo's affluent penthouse unit. When a couple turned positive to COVID-19, the building where Benjo's penthouse was situated was locked down for a month, Emil is forced to stay longer with Benjo. With constant interruptions from Benjo's mother's secretary's trans woman, the two boys discover the love they share for each other despite their very starkly different social-economical backgrounds, paving the way for Benjo and Emil's sexual awakening.
The series incorporates some historical Philippines military background to show more contrast between the two boys in addition to their already existing economical differences. Sadly, the messages are just random, not detailed, painstakingly obscure. Despite all the historical, political and class references, the series just comes off as under researched, hollow, over the top and pretentious. The various characters living win the building but the stories are never connected. You can fast forward some of the those scenes and will not make an iota of difference to the overall story graph. The attraction and eventual that happens between the two boys also happens very randomly. There is no real build up. And it seems too convenient and easy. Even the funny moments seem forced. The two actors are below average. I'd say its the screenplay and the direction that is largely at fault here. The transgender story was the only one which had some merit. Other than that, I think this series is totally avoidable. There are a lot more, much better made, entertaining series out there that one should rather spend their time on. (3.5/10)

Comments
Unfortunate reality sadly.