This Hindi movie is a pretty straightforward slice-of-life story that tries to give a modern look at what it's like to be a single, professional gay man. It dives into how he understands who he is, the chances he missed out on, and the personal choices he’s made along the way. The director used three parallel timelines to tell the story, which honestly didn't make much sense to me. While the core idea was actually pretty interesting, I really feel like this would have worked way better as a short film considering the point it was trying to make. Still, it wasn't a bad watch. The plot centers on Rachit, a city professional, and his friend Shikhar as they hang out for an evening. Rachit is a polished, urban guy, while Shikhar has more of a "small-town" rustic vibe, and you can really see the contrast between them when they talk. As the night goes on, Rachit starts thinking back to some old memories from a long time ago. He remembers being an intern after college in ...
This is an interesting mix of documentary and drama which looks at the 1950's muscle men's magazines and the representative industry that were popular supposedly as health and fitness magazines, but were in reality primarily being purchased by the still underground homosexual community.
Bob Mizer photographed handsome young men for "physical culture" magazines that appealed to gay men when little other literature for them existed. The documentary-drama tells us about his life and incidents leading to how he became to be the photographer he was. It shows Mizer in his photography studio with his models, whom he found as they literally stepped off the bus from across the country--young men who were new to Los Angeles. The documentary part provides interviews with people from the larger California health and fitness culture, including some high profile models from the time. The interviews offer an interesting counterpoint to the narrative that seems stronger than the dramatic part of the film. The different segments are linked by a mixed chorus of singers using a style popular in fifties commercials.
This film cleverly mixes archive footage with new footage shot for the film. There is a lot of male nudity in the film, and yet it doesn't have a erotic or pornographic feel to it. The interviews opened my eyes to a part of history that I have only read about. Having said that, the interviews can use some tighter editing. Some of them did drag a bit at time. But the actors in the drama part conveyed both the excitement of this emerging masculine/Gay "scene" and the tragedy of the legal persecution suffered by the people who promoted it. The film wins on its old footage and the telling the story of an age gone by, but is let down by trying to have too many ideas at once.This film does have historical importance, but I am not sure how many of the newer generation would actually enjoy something like this. (4/10)

Comments