This Hindi movie is a pretty straightforward slice-of-life story that tries to give a modern look at what it's like to be a single, professional gay man. It dives into how he understands who he is, the chances he missed out on, and the personal choices he’s made along the way. The director used three parallel timelines to tell the story, which honestly didn't make much sense to me. While the core idea was actually pretty interesting, I really feel like this would have worked way better as a short film considering the point it was trying to make. Still, it wasn't a bad watch. The plot centers on Rachit, a city professional, and his friend Shikhar as they hang out for an evening. Rachit is a polished, urban guy, while Shikhar has more of a "small-town" rustic vibe, and you can really see the contrast between them when they talk. As the night goes on, Rachit starts thinking back to some old memories from a long time ago. He remembers being an intern after college in ...
When I started watching the film, I wasn’t aware of it being a sequel. Only 15 minutes into the film, I realized the fact and so had to go read my review of the original film to jog my memory. Now that I remembered the original story, this film started to make more sense. This time, however, the focus of the movie isn't really the gay guys; but it's the women dealing with the aftermath of how the first movie ended. Of course, gay characters are still integral to this story.
The new gay on the block Eli, kind of accidentally rents himself Corin & Jake’s old apartment. He interviews with Judith (Elliot’s mom) and somehow starts getting injected into Eliott’s life. Judith’s negative attitude toward her son's sexuality in the first film was a chief ingredient to the tragedy that ensued. Enter an old man, George, who is introduced as Eli’s father, starts dating Corin’s former co-worker Nancy. But something doesn’t feel right. Neither father-son relationship and nothing else. When murders start happening, it is soon revealed that George is actually Eliott’s father, Judith’s ex-husband who had left family years ago when he had come out. Eli was just his sugar baby who he was paying.
October Moon was one of the better low-budget films I've watched, with a decent plot, locations, and acting. This sequel, however, just wanders about till the very end when something meaningful happens.It is more like a B-grade horror movie with an unrealistic plot, and terrible acting and direction. I feel so robbed of my precious 90ish minutes that even writing this review seems a task now. It's one of those dreary productions which is all talk with no 'meat' to the story and not even decent horror to talk about.
This one is totally avoidable even if you thought the prequel was a decent film, which it was. (2.5/10)
The new gay on the block Eli, kind of accidentally rents himself Corin & Jake’s old apartment. He interviews with Judith (Elliot’s mom) and somehow starts getting injected into Eliott’s life. Judith’s negative attitude toward her son's sexuality in the first film was a chief ingredient to the tragedy that ensued. Enter an old man, George, who is introduced as Eli’s father, starts dating Corin’s former co-worker Nancy. But something doesn’t feel right. Neither father-son relationship and nothing else. When murders start happening, it is soon revealed that George is actually Eliott’s father, Judith’s ex-husband who had left family years ago when he had come out. Eli was just his sugar baby who he was paying.
October Moon was one of the better low-budget films I've watched, with a decent plot, locations, and acting. This sequel, however, just wanders about till the very end when something meaningful happens.It is more like a B-grade horror movie with an unrealistic plot, and terrible acting and direction. I feel so robbed of my precious 90ish minutes that even writing this review seems a task now. It's one of those dreary productions which is all talk with no 'meat' to the story and not even decent horror to talk about.
This one is totally avoidable even if you thought the prequel was a decent film, which it was. (2.5/10)

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