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Avsar (Hindi) [Opportunity]

This Hindi movie is a pretty straightforward slice-of-life story that tries to give a modern look at what it's like to be a single, professional gay man. It dives into how he understands who he is, the chances he missed out on, and the personal choices he’s made along the way. The director used three parallel timelines to tell the story, which honestly didn't make much sense to me. While the core idea was actually pretty interesting, I really feel like this would have worked way better as a short film considering the point it was trying to make. Still, it wasn't a bad watch. The plot centers on Rachit, a city professional, and his friend Shikhar as they hang out for an evening. Rachit is a polished, urban guy, while Shikhar has more of a "small-town" rustic vibe, and you can really see the contrast between them when they talk. As the night goes on, Rachit starts thinking back to some old memories from a long time ago. He remembers being an intern after college in ...

Twist (Canada)

I was really looking forward to this film because I was going to watch it with a friend. The premise was so promising. A gay re-telling of Charles Dickens' classic Oliver Twist. How could this go wrong but somehow neither of us ended up liking the film. There were so many questions that were left unanswered, that I was forced to exclaim wtf by the end. The plot is moved out of the London poor house onto the streets of Toronto. The the tale is told not from Oliver's point of view, but rather that of Dodge.

Dodge works for Bill who works with various young boys as hustlers. Bill is an angry man who hurts boys if they don't bring enough money home every night. One night Dodge finds Oliver and brings him him with him. He takes Oliver under his wing and instructs him in the unforgiving arts of drug abuse and prostitution. Oliver develops a crush on Dodge and views him as his boyfriend, complicating their friendship. Dodge does not reciprocate his feelings, and reacts angrily to Oliver's kisses and other signs of affection. As Oliver's innocence dissolves, both young men confront their demons, and ultimately it is Dodge who finds he cannot escape his past. At the same time we have Bill's girlfriend who works in the coffee shop and is also a subject of Bill's abuses. Oliver meets an old man, who suddenly takes interest in him and who seems like he could be his real father. Also we meet Dodge's brother who comes back to get him. Dodge doesn't want to go back home because he blames his oder brother for not intervening when their father was abusing him. The film ends with a very dark scene between Dodge and his brother.

Like I mentioned before, there is a lot in the film that is left for viewers imagination. I felt none of the characters were completely developed. No explanations were given on the girls abuse, Dodge's history, the older guy who suddenly gets interested in Oliver but then same way just starts ignoring him. The writing is the biggest drawback of this film. Low-key, and very slowly paced, with long camera "takes", this bleak story would have been better with a little more substantive action. Giving where the credit is due, the actors do quite a good job of acting. But given that their parts were so underdeveloped, there was only so much that they both do.

This movie comes across as depressing, and with good reason. While more faithful adaptations of Oliver Twist have the uplifting quality of people trying to leave their bad conditions, this movie just shows people sinking deeper into the muck. Perhaps this was intended by the writer/director, but the execution makes the movie less than memorable. (3.5/10)

Comments

Eternal Sonata said…
I have heard of this film and was hoping that your review would give me a good reason to watch it but as it turns out it doesn't seem so. Sometimes I like dark and moody films but it isn't easy to watch a film where I have to leave feeling as if I was just looking at only a mere fraction of the entire storyline. What gives?! I want a cohesive storyline that doesn't leave me asking more questions and if there are no open-ended conclusions, at least give more to the audience for figuring out their own ending.

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