This Hindi movie is a pretty straightforward slice-of-life story that tries to give a modern look at what it's like to be a single, professional gay man. It dives into how he understands who he is, the chances he missed out on, and the personal choices he’s made along the way. The director used three parallel timelines to tell the story, which honestly didn't make much sense to me. While the core idea was actually pretty interesting, I really feel like this would have worked way better as a short film considering the point it was trying to make. Still, it wasn't a bad watch. The plot centers on Rachit, a city professional, and his friend Shikhar as they hang out for an evening. Rachit is a polished, urban guy, while Shikhar has more of a "small-town" rustic vibe, and you can really see the contrast between them when they talk. As the night goes on, Rachit starts thinking back to some old memories from a long time ago. He remembers being an intern after college in ...
This film has got to be one of the earliest and most fascinating piece of cinematic history for its positive portrayal of a trans woman-of-color and her romance with her cis-gendered, white boyfriend. The fact that the film came out back in 1971 is just unbelievable. This film , in some ways, is still more progressive than a lot of current cinematic depictions of trans people. And to top that, the entire film is laced with some zany dialogues. I can't remember the last time I laughed at so many places because of some really smart dialogues and fights between the husband and wife. We meet George and Lettice: a school teacher and a celebrated author who are preparing for their son's visit who is bringing home his girlfriend. The father is pleasantly surprised because he didn't think his son ever had any interest in girls. And the mother, as much as she believe she is modern, she is only faking it. When their son Laurie arrives with Jo, it's a shock for everyone because Jo...