This movie was honestly just terrible. It’s been a long time since I’ve laughed this hard at a flick for all the wrong reasons, and I knew within the first ten minutes that things were going to be a total mess. Once you move past how awful it is, you can actually have a great time just wondering how this ever got made. It makes you wonder if anyone involved even bothered to watch the final version after they finished shooting. The plot is about as basic as it gets. A group of Black gay couples all get invited to a resort for a weekend trip where everything is paid for, but they all think the invite came from someone different. Since a few of these guys have some messy history with each other, the tension is pretty high as soon as they arrive. Nobody actually knows who is picking up the tab or who started the whole thing—A thinks B invited them, B thinks it was C, and it just keeps going like that. Pretty soon, a slasher starts picking them off one by one. The killer’s identity eventual...
This film very beautifully addresses that earth-shattering moment of being informed that death is imminent and shows us how one character copes with that information and how it changes his remaining days and his history of relating to others. It is touching, empathetic, very loving and at some or the other point, you will be able to connect with this film with some event from your own life, maybe someone whom you know. Romain is a handsome and successful fashion photographer who lives with his lover Sasha, but is somewhat estranged from his family. For some reason he cannot relate to his pregnant sister Sophie despite his mother's pleading and his father's distance. During a fashion shoot Romain faints, is taken to the doctor who informs him he has metastatic cancer for which there is little hope and that he will live past a few months. Romain opts to go without treatment and begins to face his remaining life with silent gloom. Romain decides to quit his job, tells Sasha to leave, separates from his family, and visits his beloved grandmother Laura who shares her philosophy of living and dying and bonds even more closely with the grandson who mirrors her own life. Romain, alone, travels about France, meets a sweet couple in a café who are unable to have children and after consideration Romain consents to comply with their request to impregnate the wife but only if the husband is also a part of the process. The couple discovers Romain is dying after Jany becomes pregnant and Romain for the first time is able to show tenderness in his relationship with them. Somewhat changed in outlook Romain returns home, has a tender talk with his father who accepts his son's sexuality, attempts a reconciliation with Sasha unsuccessfully, and even responds to a letter from Sophie. His missions completed and he travels to the ocean where the film ends in one of the most beautifully subtle, tender and genuinely realistic ways.
This film was so touching that I can't even begin to tell. Yes, the story might sound cliched to some but it is the execution of the subject that makes the whole difference. All the actors are particularly outstanding. I loved the relationship that Romain shared with his grandmother. In every way this film is satisfying. I would have personally liked to understand better why did Romain share such a estranged relationship with his sister. As Romain slowly but surely makes his way towards the adamant death, there are flashes of his childhood which arrive in his mind. Maybe, they help him to accept his own death. Moreover, it is often said that old people behave like children.
A brilliant, quiet, immensely satisfying film. (8.5/10)
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